Thursday, May 7, 2020
James Joyces Araby - Character, Structure and Style in...
Character, Structure and Style in Araby According to Hazel Edwards, ââ¬Å"A good story writer needs to be a craftsman, for the construction is tighter than that required for most novels. Usually a short story concentrates on a few characters- rarely more than three major ones. The story revolves around a single, dramatic incident which typifies the charactersââ¬â¢ reactions. Length varies from 1,000 to about 5,000 words.â⬠With these characteristics in mind, then we are going to examine James Joyceââ¬â¢s short story Araby in terms of depiction of character, the story structure and the style. Araby was one of the short stories from James Joyceââ¬â¢s short story collection called Dubliners first published in 1907. As James Joyce wasâ⬠¦show more contentâ⬠¦This realistic setting of time and place enables the reader to identify with the characters of the story . Moreover the point of view used by James Joyce also enhances this authenticity. Araby was written from the ââ¬Å"Iââ¬â¢ point of view or what we call first person viewpoint . This enables the reader to identify more readily with the feelings of the major character. The ââ¬Å"Iââ¬â¢ in the story is not James Joyce himself but it is the ââ¬Å"personaââ¬â¢ he assumed for telling the story . In this case he did not use the viewpoint of his own as an adult but the personaââ¬â¢ s view point as a child. For this story, the ââ¬Å"I ââ¬Å" viewpoint is deliberately chosen as this story is about a boy who secretly admired a girl living nearby. Without the omniscient viewpoint, reader can have no understanding of the girlââ¬â¢s impression or feelings about the boy. Readers only know what the boy thinks of the girl but not vice versa. In this way, the readers may find it more interesting as they can identify themselves more with the boy and it may help them to recall their own experience of admiring somebody secretly. James Joyce depicted the protagonist- the boy mainly through what he does, what he says,as well as, what he doesnââ¬â¢t do and say. The timid character of the boy which is shared by most secret admirers,Show MoreRelatedEssay on James Joyce1722 Words à |à 7 Pages James Joyce nbsp;nbsp;nbsp;nbsp;nbsp;James Joyce, an Irish novelist and poet, grew up near Dublin. James Joyce is one of the most influential novelists of the 20th century. In each of his prose works he used symbols to experience what he called an quot;epiphanyquot;, the revelation of certain revealing qualities about himself. His early writings reveal individual moods and characters and the plight of Ireland and the Irish artist in the 1900s. Later works, reveal a man in all hisRead More James Joyces Ulysses - Balancing Information in Ithaca Essay3248 Words à |à 13 PagesJames Joyces Ulysses - Balancing Information in Ithaca I hold this book [Ulysses] to be the most important expression which the present age has found; it is a book to which we are all indebted, and from which none of us can escape. T.S. Elliot In the midst of Ithaca, the climactic second to last episode of Ulysses, James Joyce provides the necessary information for calculating how much excrement, in pounds, is produced annually by the entire population of Ireland (p. 718). The typeRead MoreEssay on James Joyces Dubliners: Two Gallants2403 Words à |à 10 Pagessixth short story in the Dubliners collection, James Joyce is especially careful and crafty in his opening paragraph. Even the most cursory of readings exposes repetition, alliteration, and a clear structure within just these nine lines. The question remains, though, as to what the beginning of Two Gallants contributes to the meaning and impact of Joyces work, both for the isolated story itself and for Dubliners as a whole. The construction, style, and word choice of this opening, in the contextRead MoreANALIZ TEXT INTERPRETATION AND ANALYSIS28843 Words à |à 116 Pagessequence of interrelated events that constitute the basic narrative structure of a novel or a s hort story. Events of any kind, of course, inevitably involve people, and for this reason it is virtually impossible to discuss plot in isolation from character. Character and plot are, in fact, intimately and reciprocally related, especially in modern fiction. A major function of plot can be said to be the representation of characters in action, though as we will see the action involved can be internal
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